Leading Worship Well | Worship Leading Tips

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3 Reasons To Transpose A Worship Song

Transposing worship songs is an essential skill for worship leaders. Taking a song and changing it from one key to another is something you'll be doing just about every time you lead worship.

In fact, it's so important to master this skill, that tomorrow's video on the Leading Worship Well YouTube channel is going to show you the step-by-step process it takes to transpose any worship song into any key. And the quicker you can do it the better!

But, why would you want to transpose a worship song into a new key, anyway?

Here are 3 reasons to transpose a worship song:

1 | Put it in a singable key

I say it all the time, you should be picking song keys that are singable for your church. Most of the time, the key of an original recording is not in a key that is friendly for your congregation. The artist picked a key that worked best for their voice and they're professional musicians. So, it's important to find a new singable key for your congregation. That involves transposing.

2 | Create smoother transitions in your worship set

Sometimes, it's helpful to transpose songs to make transitions between songs smoother. If you can put two songs that are beside each other in your worship set in the same key, you can flow from one song straight into the next. Or, you can transpose songs to put them in complimentary keys. You can shift a song up or down a key to make the transition work better.

For example, if you usually do a song in Bb, but the song before it is in E, you could transpose it to A so you could easily transition from the key of E to A.

3 | Play different chord shapes

If you have two guitarists on your worship team, they should not be playing the same exact chord shapes. It makes any timing issues or mistakes more pronounced AND it muddies up the sonic arrangement of the song.

The easiest way fix that problem is to have one guitarist play different chord shapes with a capo on. For example, if the song is in the key of A, one guitarist could play regular A shapes and the other could play G shapes with their capo on the 2nd fret.


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